Zemeckis and chief animator Richard Williams (whose Academy Award–winning work here was part of a deal to complete his long-gestating opus The Thief and the Cobbler) keep the eye-popping sights coming. Only alcoholic private eye Eddie Valiant (Bob Hoskins) can clear this poor bunny’s name and save him from the death-dealing hands of the conniving Judge Doom (Christopher Lloyd). A bowtied-and-overalled hare named Roger (voiced with sputtering glee by Charles Fleischer) is accused of murdering the human founder of Acme products for having slept with his comely spouse, Jessica (smokily realized by Kathleen Turner). The setting is postwar Los Angeles, where characters like Bugs Bunny, Dumbo and Mickey Mouse are actual Hollywood contract players as opposed to artists’ caprices. Live action and animation have been mixed multiple times, but never quite as brilliantly as in Robert Zemeckis’s blockbuster film noir parody. Keith UhlichĪ live-action gumshoe must prove that a cartoon rabbit has been wrongly accused of murder.īest quote: “I’m not bad-I’m just drawn that way.”ĭefining moment: Roger falls for the ol’ shave-and-a-haircut trick. Yet the endearingly handmade qualities of Park’s shorter works are still fully evident, especially in Gromit’s priceless silent reactions to his human master’s frequent obliviousness. The canvas is a bit bigger than in Aardman’s previous excursions: Celebrities like Ralph Fiennes and Helena Bonham Carter lend their vocal talents, and there are a few beautifully bombastic action scenes.
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Wallace tries to brainwash the bunnies with his latest creation (the Mind Manipulation–O-Matic), but instead ends up creating a bigger foe-a towering were-rabbit that emerges at every full moon. In their Oscar-winning feature debut (a coproduction between Park’s Aardman Animations and DreamWorks), the two are hired to protect their town’s vegetable patches from ravenous rabbits.
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Keith UhlichĪn eccentric inventor and his loyal canine companion hunt a mutant bunny.īest quote: “I’m sorry, Gromit-I know you’re doing this for my own good, but the fact is I’m just crackers about cheese.”ĭefining moment: Gromit follows the oversize bunny in a vehicular chase that goes below ground.īritish animator Nick Park made his name with a series of award-winning stop-motion shorts featuring Wallace, an inventor whose creations often go awry, and Gromit, his devoted dog. (The heart breaks when Felicity claws her husband’s furry face in frustration at his blithely destructive impulses.) As the foxes find their way of life increasingly threatened, the question arises: How do you use your nature to your advantage? The answers aren’t easy, but it should be clear that Anderson isn’t out to cater to anyone except the audience he knows so well. Fox leaning against a tree, an image accompanied, in a very Andersonian touch, by the Wellingtons’ 1954 tune “The Ballad of Davy Crockett.”Īs with all of the director’s films, potent emotions underlie the comic-strip surface: Both Fox and his sullen son, Ash (Jason Schwartzman), must come to terms with their instinctual ambitions, which tend to clash with their everyday responsibilities.
You’re captivated right from the first gorgeously autumnal shot of Mr. Anderson’s dioramic visuals and pithy plotting translate perfectly to a cartoon world. There’s nothing docile about Wes Anderson’s first foray into animation. But when Fox’s wife, Felicity (Meryl Streep), informs him that they have a pup on the way, our vulpine protagonist realizes he has to tame the beast within. Fox (George Clooney) likes to complain about his days making life hell for his human nemeses, farmers Boggis, Bunce and Bean (one fat, one short, one lean). But in the end, he’s just another dead rat in a garbage pail behind a Chinese restaurant.”ĭefining moment: Fox and friends come face-to-face with a mysterious black wolf. An idiosyncratic auteur gets animated with this stop-motion take on Roald Dahl’s children’s novel.īest quote: “Redemption? Sure.